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Dont Look Back is a 1967 American documentary film directed by D. A. Pennebaker that covers Bob Dylan's 1965 concert tour in England. In 1998, the film was selected for preservation in the United States National Film Registry by the Library of Congress as being deemed "culturally, historically, or aesthetically significant". In a 2014 Sight & Sound poll, film critics voted Dont Look Back the joint ninth best documentary film of all time. The opening scene of the film has Dylan displaying and discarding a series of cue cards bearing selected words and phrases from the lyrics to his 1965 song "Subterranean Homesick Blues" (including intentional misspellings and puns). This was the first single from his most recent album, Bringing It All Back Home, and a top ten hit in the UK when he filmed it there (a fact discussed in the film). Allen Ginsberg appears in the background having a discussion with Bob Neuwirth. The film features Joan Baez, Donovan and Alan Price (who had just left the Animals), Dylan's manager Albert Grossman and his road manager Neuwirth. Marianne Faithfull, John Mayall, Ginger Baker and Allen Ginsberg may also be glimpsed in the background
Nosferatu: A Symphony of Horror (German: Nosferatu – Eine Symphonie des Grauens) is a 1922 silent German Expressionist vampire film directed by F. W. Murnau from a screenplay by Henrik Galeen. It stars Max Schreck as Count Orlok, a vampire who preys on the wife (Greta Schröder) of his estate agent (Gustav von Wangenheim) and brings the plague to their town.
Nosferatu was produced by Prana Film and is an unauthorized adaptation of Bram Stoker's 1897 novel Dracula. Various names and other details were changed from the novel, including Count Dracula being renamed Count Orlok. Although those changes are often represented as a defense against copyright infringement accusations, the original German intertitles acknowledged Dracula as the source. Film historian David Kalat states in his commentary track that since the film was "a low-budget film made by Germans for German audiences... setting it in Germany with German-named characters makes the story more tangible and immediate for German-speaking viewers".
Even with several details altered, Stoker's widow sued over the adaptation's copyright violation, and a court ruling ordered all copies of the film to be destroyed. However, several prints of Nosferatu survived, and the film came to be regarded as an influential masterpiece of cinema and the horror genre. Critic and historian Kim Newman declared it as a film that set the template for the genre of horror film.